A Little Butter Never Hurt

I haven’t said anything since the pandemic reached the United States, but I will say it now. I miss deejaying in front of people.

I have tried to be a good sport about it. In all honesty, playing in a studio or room is just a flashback to a deejay’s beginnings. Also in all honesty, it’s old–and boring.

Stylo, Jenny, and Jeffrey at Butter March 30 2019.

How I long for a return to those last Saturdays of the month of the last few years; the excitement, the anticipation, the nervousness. Yes, even after many years of being a DJ and the honor of doing some large stages like the gallery opening for Art Whino in their 1st space in Old Town Alexandria or Future Classic shows as a part of the Winter Music Conference in Miami Beach, I still get nervous before every show.

Every show I am consumed with the emotion of wanting to putting the best forward. I know you want to have a good time. I want you to have a good time too. I want to revel in the afterglow, watching all of you file out of the space laughing and smiling.

This is especially sweet when the show is before a group of people who don’t quite know what to expect, like the crowd at the patio bar Mezcalero in Long Beach, or the way a random group of graduate students mixed with Metal or Punk Rock heads pour upstairs at Ottobar for Butter. The transformation from trepidation to celebration is nothing but sublime.

Don’t get me wrong! I love the regulars too. It’s just a different type of love! They roll in and help get the party started with no prompting. They are also very gracious in explaining how they were looking forward to the night all week. I still blush in gratitude every time this happens.

So yeah, this pandemic is old. Boring. And it’s a huge steaming turd.

Yet, I will persevere. I am hoping you will too. Butter, or something like it will return. I will return to the decks in a live capacity when we all can do so in optimum safety.

In the meantime, there is always Stay House!

You. Again.

The prose in this piece was penned by me. I then, over the course of one day, wrote the music and shot the video.

All of it was done complete from my Galaxy S5 at the time. I was working a long shift at a marina in Baltimore.

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